The Maybee Art Gallery at Culver-Stockton College currently features “Spectrum Gaps,” a solo show by Professor Lindsey Dunnagan. It will be open from September 3rd to November 20th, but is not open to the public.
Art student Elle Renault’s painting p53 was selected from the recent Flora and Fauna exhibition to be purchased and displayed indefinitely in Magruder Hall. Congratulations to Elle for being selected and having the honor of her work remaining on display at Truman State University! Thanks to Dr. Anne Moody for organizing this people’s choice award and to the science faculty that donated money to purchase the work! We hope to continue this interdepartmental tradition with subsequent Flora and Fauna exhibitions going forward.
We have lots of great news, from some current students:
Daniel Degenhardt and Linnea Moody both have received Tru-Scholars fellowships for undergraduate research this coming summer. Both of them will be working with Photography Professor Priya Kambli.
Art major Abby Moreno will be doing research through the McNair program this summer. Dr. Heidi Cook will be her mentor for that project.
And Department Chair Aaron Fine writes:
Current Art Major Natalie Gruber was surprised but pleased by the response to her painting of “Mothman in Domestic Bliss” – a painting she created in her Painting I class. When she posted it on twitter it received over 23,000 likes and was shared over 8,000 times within just a few days. Comments included those begging her to sell prints of the image, so it seems this one post has led to a new side business for her.
And we have news from an Alumna of the department:
Painting alumna Megan Klco Kellner had her collection of poetry selected to be published as a chap book by Michigan Writers Cooperative Press. More information can be found in their Facebook Announcement:
Michigan Writers Cooperative Press — Chapbook Contest Winner
Michigan Writers Cooperative Press is pleased to announce the winner of our annual chapbook contest. This year we will be publishing one new author, Megan Klco Kellner and her poetry chapbook, “What Will You Teach Her?”
Megan’s book will be released at a celebratory reading and reception on Sunday, June 9, 2019 at 7pm. We invite the public to join us for this free event at the Writing House on the campus of the Interlochen Center for the Arts. Mark your calendars to help us celebrate Megan’s work.
Megan Klco Kellner writes poems and makes paintings in Grand Rapids, Michigan. She holds an MFA in painting from Kendall College of Art and Design. She started writing poems in earnest during late-night feedings after her children were born. She is, above all, their awe-filled observer.
Retrospective: Wynne Wilbur – in the Main Gallery
View a career-spanning retrospective of work created by Truman ceramics professor Wynne Wilbur.
Dreamwork: New Work by ceramicists Leah Bowring, Emily Nickel, and Alexander Thierry – in the Main Gallery
Dreamwork features three ceramic artists, Truman alumni all, who encompass a broad range of approaches to ceramics: Leah Bowring, Emily Nickel, Alexander Thierry. Dreamwork refers to the psychoanalytic concept that our unconscious often disguises truths in our dreams from our conscious mind, but, more broadly, the works in this exhibition address the work the mind undertakes when creating memories, fantasizing, meditating, and dreaming.
Claiming Country: Western Desert Painting from the Kluge-Ruhe Aboriginal Art Collection – in the Charlyn Gallery (Exhibition on view until March 22).The Western Desert, located in west central Australia, is home to many of Australia’s indigenous communities and is seen as the birthplace of the contemporary Aboriginal art movement. Indigenous Australian art is often based on Dreamings, called Tjukurrpa in the Western Desert region. Dreamings link Aboriginal peoples to their sacred lands, often referred to as Country, through narratives of ancestors and creator beings. Western Desert artists bridge the gap between traditional Aboriginal practices and the contemporary art world by expressing Tjukurrpa in their work through ceremonial iconography and aerial perspectives of sacred landscapes associated with creator beings and ancestors. The paintings in Claiming Country explore the essential role that Country plays in the identities of Indigenous Australians. This exhibition brings together paintings by prominent Western Desert artists Pansy Napangardi, Makinti Napanangka, Weaver Jack, Harry Tjutjuna, Kathleen Petyarre, Tjumpo Tjapanangka, and Paddy Japaljarri Sims.
These works have graciously been loaned to Truman State University from the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, the only museum outside of Australia dedicated to the exhibition and study of Indigenous Australian art.
Opening reception for all three of these exhibitions will take place Friday, January 25, 6:00-8:00 p.m.
Truman’s Spring 2019 semester begins on Monday. We are getting about six inches of snow before classes start, so be safe as you come back to campus.
Painting professor Lindsey Dunnagan begins 2019 with a new show in the Twin Cities area (in Silverwood Park, Saint Anthony, on the northern side of Minneapolis). Her exhibition, “Skimming Boundaries,” was rooted in her experience with her grandmother, who battled Alzheimer’s Disease for the last ten years of her life.
In her artist’s statement, Professor Dunnagan writes:
In the beginning, her illness showed in small ways as she repeated stories she told just days before. Toward the middle of the disease, she began reinventing the history of her life. Toward the end, my grandmother didn’t know who I was. She lost the ability to recognize family. Conversations with her became circular as her short-term memory began to fail as well. In the moments when the recognizable parts of her seemed to flicker in and out, I often wondered where she had gone. It seemed as if a part of her was testing the waters of another realm even though her physical body remained vital.
In this series, I explore the intangible world of the spirit and the boundary that separates us. Religion maps out worlds of before and after death, but even the most secular are confronted these questions. What is the journey between life and death? Where are the edges? In this series, I search for what is felt but unseen.
Much of the work experiments with natural dyes, a technique I learned while serving in Morocco as a Peace Corps Volunteer. Vegetation such as raspberries and cabbage are boiled and poured over mordanted paper, resulting in permanent reds, blues, and greens. Rocks and black walnuts provide tones of sepia and simultaneously act as a resist, allowing the places they weigh down in the paper to remain white. Sometimes paper is buried overnight and exposed to the rain or wrapped around trees to capture the imprint of bark.
Stay tuned for all the exciting events coming up this spring semester at Truman. And Welcome Back!
Photographs from Professor Lindsey Dunnagan’s summer study abroad course in Spain. Ten students went to paint “en plein air” in May of 2018, and had a wonderful time making art. And doing a few other things!
(For a larger image, double click below and you will be able to look more closely at what the students did and produced on their adventure)
Friday the 4th of May is the last day of classes. Come out and celebrate with senior studio art majors as they host the reception for their exhibitions. The shows will be up in the University Art Gallery from Monday, April 30th, to Friday, and the concluding reception is Friday, 6 pm, in the Gallery.
Professor Lindsey Dunnagan’s Painting I class took advantage of the wonderful warm weather we’ve been having to go outside and practice their art outside the studio, following in the footsteps of such luminaries as Renoir and Monet. It was beautiful but, sadly for the artists, rain is predicted for the next couple of days.