Watchers by Natalie Gruber, detail
Laura Bigger’s Intermediate and Advanced Drawing Exploration students present Drawing – Implied in the Charlyn Gallery. The works in the exhibition explore “drawing,” the verb, in the abstract and test the limits of what one considers a drawing. Each artist created a wall-based installation that emphasizes formal decisions to create something that reads as a drawing, considers implied line or line created by both traditional and nontraditional means, and intentionally incorporates light and shadow to draw in a three-dimensional space.
Artists include: Maggie Adams, Sarah Early, Jamie Foutch, Natalie Gruber, Abby Moreno, Stephen Poindexter and Wesley Scafe.
The exhibition runs February 1st through 25th.
We have three great exhibitions opening in the University Art Gallery this week.
Retrospective: Wynne Wilbur – in the Main Gallery
Wynne Wilbur, Flower (2017). Image courtesy of the artist.
View a career-spanning retrospective of work created by Truman ceramics professor Wynne Wilbur.
Emily Nickel, Undoing. Photo courtesy of the artist.
Dreamwork: New Work by ceramicists Leah Bowring, Emily Nickel, and Alexander Thierry – in the Main Gallery
Dreamwork features three ceramic artists, Truman alumni all, who encompass a broad range of approaches to ceramics: Leah Bowring, Emily Nickel, Alexander Thierry. Dreamwork refers to the psychoanalytic concept that our unconscious often disguises truths in our dreams from our conscious mind, but, more broadly, the works in this exhibition address the work the mind undertakes when creating memories, fantasizing, meditating, and dreaming.
Harry Tjutjuna, Wati Nyiru Munu Wati Wanka. Photo courtesy of the University of Virginia.
Claiming Country: Western Desert Painting from the Kluge-Ruhe Aboriginal Art Collection – in the Charlyn Gallery (Exhibition on view until March 22).The Western Desert, located in west central Australia, is home to many of Australia’s indigenous communities and is seen as the birthplace of the contemporary Aboriginal art movement. Indigenous Australian art is often based on Dreamings, called Tjukurrpa in the Western Desert region. Dreamings link Aboriginal peoples to their sacred lands, often referred to as Country, through narratives of ancestors and creator beings. Western Desert artists bridge the gap between traditional Aboriginal practices and the contemporary art world by expressing Tjukurrpa in their work through ceremonial iconography and aerial perspectives of sacred landscapes associated with creator beings and ancestors. The paintings in Claiming Country explore the essential role that Country plays in the identities of Indigenous Australians. This exhibition brings together paintings by prominent Western Desert artists Pansy Napangardi, Makinti Napanangka, Weaver Jack, Harry Tjutjuna, Kathleen Petyarre, Tjumpo Tjapanangka, and Paddy Japaljarri Sims.
These works have graciously been loaned to Truman State University from the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, the only museum outside of Australia dedicated to the exhibition and study of Indigenous Australian art.
Opening reception for all three of these exhibitions will take place Friday, January 25, 6:00-8:00 p.m.
The fall faculty show, “New Work by Truman State Art Faculty,” in the University Gallery and the Charlyn Gallery (formerly known as the Side Gallery) will be up through Friday of this week (10/5). If you haven’t caught the photographs and installation by Priya Kambli in the main gallery and “Grown-Up Games” by Danielle Yakle in the Charlyn Gallery, you are in for a treat.
Above and below, work by Priya Kambli, professor of art.
And below, students Josh Fackler and Josh Fish enjoy Instructor Danielle Yakle’s “Grown-Up Games.”