The Maybee Art Gallery at Culver-Stockton College currently features “Spectrum Gaps,” a solo show by Professor Lindsey Dunnagan. It will be open from September 3rd to November 20th, but is not open to the public.
Art student Elle Renault’s painting p53 was selected from the recent Flora and Fauna exhibition to be purchased and displayed indefinitely in Magruder Hall. Congratulations to Elle for being selected and having the honor of her work remaining on display at Truman State University! Thanks to Dr. Anne Moody for organizing this people’s choice award and to the science faculty that donated money to purchase the work! We hope to continue this interdepartmental tradition with subsequent Flora and Fauna exhibitions going forward.
Madilyn (Madi) McClain had a work accepted into the Albrecht-Kemper Museum of Art’s Undergraduate Juried Exhibition! The organizers of the exhibition report that only approximately 25% of the submitted works were selected for display.
The juried undergraduate exhibition will be on view from April 13-June 2 at the Albrecht-Kemper Museum in St. Louis. The Opening Reception is free to the public on Friday, April 12 from 4-7pm.
Congratulations Madi! We are very proud to have you at Truman.
Retrospective: Wynne Wilbur – in the Main Gallery
View a career-spanning retrospective of work created by Truman ceramics professor Wynne Wilbur.
Dreamwork: New Work by ceramicists Leah Bowring, Emily Nickel, and Alexander Thierry – in the Main Gallery
Dreamwork features three ceramic artists, Truman alumni all, who encompass a broad range of approaches to ceramics: Leah Bowring, Emily Nickel, Alexander Thierry. Dreamwork refers to the psychoanalytic concept that our unconscious often disguises truths in our dreams from our conscious mind, but, more broadly, the works in this exhibition address the work the mind undertakes when creating memories, fantasizing, meditating, and dreaming.
Claiming Country: Western Desert Painting from the Kluge-Ruhe Aboriginal Art Collection – in the Charlyn Gallery (Exhibition on view until March 22).The Western Desert, located in west central Australia, is home to many of Australia’s indigenous communities and is seen as the birthplace of the contemporary Aboriginal art movement. Indigenous Australian art is often based on Dreamings, called Tjukurrpa in the Western Desert region. Dreamings link Aboriginal peoples to their sacred lands, often referred to as Country, through narratives of ancestors and creator beings. Western Desert artists bridge the gap between traditional Aboriginal practices and the contemporary art world by expressing Tjukurrpa in their work through ceremonial iconography and aerial perspectives of sacred landscapes associated with creator beings and ancestors. The paintings in Claiming Country explore the essential role that Country plays in the identities of Indigenous Australians. This exhibition brings together paintings by prominent Western Desert artists Pansy Napangardi, Makinti Napanangka, Weaver Jack, Harry Tjutjuna, Kathleen Petyarre, Tjumpo Tjapanangka, and Paddy Japaljarri Sims.
These works have graciously been loaned to Truman State University from the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, the only museum outside of Australia dedicated to the exhibition and study of Indigenous Australian art.
Opening reception for all three of these exhibitions will take place Friday, January 25, 6:00-8:00 p.m.
Truman’s Spring 2019 semester begins on Monday. We are getting about six inches of snow before classes start, so be safe as you come back to campus.
Painting professor Lindsey Dunnagan begins 2019 with a new show in the Twin Cities area (in Silverwood Park, Saint Anthony, on the northern side of Minneapolis). Her exhibition, “Skimming Boundaries,” was rooted in her experience with her grandmother, who battled Alzheimer’s Disease for the last ten years of her life.
In her artist’s statement, Professor Dunnagan writes:
In the beginning, her illness showed in small ways as she repeated stories she told just days before. Toward the middle of the disease, she began reinventing the history of her life. Toward the end, my grandmother didn’t know who I was. She lost the ability to recognize family. Conversations with her became circular as her short-term memory began to fail as well. In the moments when the recognizable parts of her seemed to flicker in and out, I often wondered where she had gone. It seemed as if a part of her was testing the waters of another realm even though her physical body remained vital.
In this series, I explore the intangible world of the spirit and the boundary that separates us. Religion maps out worlds of before and after death, but even the most secular are confronted these questions. What is the journey between life and death? Where are the edges? In this series, I search for what is felt but unseen.
Much of the work experiments with natural dyes, a technique I learned while serving in Morocco as a Peace Corps Volunteer. Vegetation such as raspberries and cabbage are boiled and poured over mordanted paper, resulting in permanent reds, blues, and greens. Rocks and black walnuts provide tones of sepia and simultaneously act as a resist, allowing the places they weigh down in the paper to remain white. Sometimes paper is buried overnight and exposed to the rain or wrapped around trees to capture the imprint of bark.
Stay tuned for all the exciting events coming up this spring semester at Truman. And Welcome Back!
Photographs from Professor Lindsey Dunnagan’s summer study abroad course in Spain. Ten students went to paint “en plein air” in May of 2018, and had a wonderful time making art. And doing a few other things!
(For a larger image, double click below and you will be able to look more closely at what the students did and produced on their adventure)
Congratulations to the following students who have sent us their recent news:
Katie Feldkamp, a 2017 Art History/History double major, will be attending graduate school abroad this fall. She writes:
I will be attending the University of St. Andrews in Scotland this September for their Museum and Gallery Studies MLitt program. The program is a year-long course that focuses on practical hands-on skills as well as more theoretical coursework and provides students with broad training in all types of museums, galleries and other heritage facilities.
Lisa Simms’ news comes from painting professor Lindsey Dunnagan:
Lisa Simms has been working as a Teaching Artist at Resident Arts in Columbus, MO. She works with teen artists to teach them different painting techniques and they are also working on a large public mural along the MKT trail under Elm Street. The position will come to a close around the end of the summer when the full-time person returns from maternity leave.
Art History grad Kathryn Hodge, who has been a curatorial intern at the St. Louis Art Museum this summer, writes to say she has accepted a part time position with Leslie Hindman Auctioneers as a client services specialist. As she has always been interested in the collecting aspect of art, this is a great move for her. We wish her the best of success!
If you are a Truman art student alumna/alumnus and would like to share your adventures with us, please write us at email@example.com. We’d love to hear from you!
Friday the 4th of May is the last day of classes. Come out and celebrate with senior studio art majors as they host the reception for their exhibitions. The shows will be up in the University Art Gallery from Monday, April 30th, to Friday, and the concluding reception is Friday, 6 pm, in the Gallery.