Congratulations to printmaking professor Laura Bigger, who has a solo show of her “Elements” series at the Crary Art Gallery in Warren, PA, and another in Nashville.
Congratulations also to painting professor Lindsey Dunnagan, who had a solo exhibition this year. “Pursuing Echoes,” a solo show by Lindsey Dunnagan, was on display from February 7 – March 10 at the Art Gallery at Umpqua Community College in Roseberg, Oregon.
Congratulations to our Department Chair, Professor Aaron Fine, for his new book!
Color Theory Cover
This book discusses color theory from its ancient origins to the present, and provides a fascinating contribution to art theory using one of art’s essential building blocks. Professor Fine discusses aspects of color that are long-recognized as important but by analyzing “colonialist and gendered attitudes, materialist and romanticist perspectives, spiritualist approaches to color, color in the age of reproduction, and modernist and post-modernist color strategies” (from the Amazon description of the text) he provides a new framework that allows the application of color theory to practical applications. Published by Bloomsbury Press and gorgeously illustrated, you can order direct from the publisher or from your local bookstore or through Amazon. Congratulations, Aaron!
Ice Flare Detail 6, Mixed Media on Acrylic
Professor Lindsey Dunnagan has told us about her current exhibition at Weinberger Fine Art in Kansas City, MO. The Exhibition is titled “Northern Catch” and she writes:
This series is a pleasure project inspired by my childhood of growing up in Anchorage, Alaska where I spent time by the ocean and watched the sky for the Aurora Borealis. Each piece is multi layered and includes images offish nets, the shapes of icebergs, and patterns found in the Alaskan landscape, such as ice striations. Formally, some pieces are linked to one another because the series responds to and plays with process scraps. For example, “Migrating Silver” is made of several paper layers. The top layer has a hole cut in the shape of a fish net. Inside the hole are other fish net and ice berg shapes cut out of other paintings. Every cut form becomes part of a new work. The playful process of this work parallels my glance back at childhood. By manipulating shapes from the place I love, the work evokes a panglossian nostalgia.
Ice Flare Detail 2, mixed media on acrylic
Sun Shimmer, watercolor, graphite, and silver leaf on paper
The Maybee Art Gallery at Culver-Stockton College currently features “Spectrum Gaps,” a solo show by Professor Lindsey Dunnagan. It will be open from September 3rd to November 20th, but is not open to the public.
Professor Matthew Derezinski received Honorable Mention in 15th Pollux Non-Pro Digital Manipulation in the Landscapes and Seascapes category. The works were “Eve’s Garden” and “Forgotten Day”.
Eve’s Garden, by Matthew Derezinski, 2020.
This 15th edition of the Pollux Awards has been pre-screened by the curators of the Worldwide Photography Gala Award and juried by Julio Hirsch-Hardy, director of the Biennial of Fine Art & Documentary Photography. A total of 439 photographers from 41 countries submitted 3,505 photographs for consideration of the pre-selection team of the Worldwide Photography Gala Awards and the final selection of the juror.
Professor Laura Bigger was the subject of an interview in Art Reveal Magazine. Congratulations on the recognition! In the interview, she talks about her own art and contemporary art more broadly. One of the focuses is on her most recent series of work, Celestial Bodies. Here is a sample of that work:
Radiate, monoprint (intaglio & relief with copper leaf), 10.5 x 14.5,” 2019
Professor Laura Bigger recently exhibited her Elements series in a two-person show with sculptor Evan Reed at the University of Mary Washington gallery in Fredericksburg, VA.
(Photographs courtesy of Laura Bigger)
Truman Photography Professor Priya Kambli has had a collection of photographs added to the collection of the Duke University Library. She received the 2018 ADA Collection Award for Women Documentarians and has been added to the Archive of Documentary Arts at Duke University. In addition her work has been added to the collections of the Museum of Contemporary Photography at Columbia College of Chicago. Examples of the collected work can be seen through both links.
This spring Professor Kambli was the featured artist at the Ridderhof Martin Gallery at the University of Mary Washington, in Fredericksburg, Virginia. In addition her work has been featured in two publications, Art India and The California Sunday Magazine, where she and other artists’ photographs were used to illustrate an article titled “Freedom is _______.”